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Getting Paid
Rates

IPA: Jump to page 3 of 7 of this PDF, C101 for the current year.

NCA: Section 12

Payments

Production will send cheques directly to you. We recommend you put your own address on your IPA voucher. Some BG agents may ask you to put their mailing address on your voucher, but you do not have to! It’s your choice.

Understand your cheque, including:

Penalties (e.g., meal penalties and turnaround penalties)

The daily fee

Overtime rate

Travel Time rate (always the hourly rate in 6-minute increments; does not contribute to overtime)

Extra charges (e.g., prop fee, additional wardrobe changes, specialty item, etc.)

Upgrades

Please review our detailed page on UPGRADES Here

Missing a Payment?
  • Respond to all requests from Production for documentation you may have failed to provide on set.
  • If you were upgraded, ensure you have been provided with and filled in the appropriate paperwork and send it to your agent. If you have not received a contract for the upgrade, please ask your agent to follow up with Production.
  • Still missing your payment? Your agent should be your first call. Follow these steps.
  • When all monies owed have been received, pay your agent their commission as agreed in your contract, verbal agreement or booking email, plus HST if they collect it
  • If you have provided all the required information to the Producer in a timely manner your payment should be sent out within 14 calendar days of your work (IPA article A3601) or 15 business days after the work day (NCA article 2602). Use payments are owed 20 days from first play or new cycle start date for the NCA.
  • Late payment penalties are as follows:
    IPA – 24% of Gross Fee per year = 2% of Gross Fee per month after the 14-day payment period.
    NCA – Late payment penalty is $6.00/day from the date of default up to 30 business days. If payment is not received and ACTRA has notified the Engager of such, penalty payments resume at a rate of $10.00/day without limitation.
Additional Resources

HAVEN Helpline (Harassment, Anti-racism and Violence Emergency Network) is a national, bilingual critical incident reporting line available to members of ACTRA (excluding UBCP/ACTRA members), Canadian Actors’ Equity Association and the Directors Guild of Canada (DGC).

ACTRA Ottawa

ACTRA Ottawa:
The Arts Court, 2 Daly Ave.
Ottawa, ON K1N 6E2
ottawa@actra.ca
t: 613.565.2168

FAQs

How Many ACTRA members need to be hired daily in BG?

Production is required to hire a minimum number of ACTRA members each day on ACTRA Voucher (green) when engaging BG performers. The minimum count can vary depending upon location and budget of the shoot. Generally, in Ottawa the daily minimum is 12 not including Stand-Ins and Photo Doubles.

How does preference of engagement work for ACTRA members?

Prior to offering engagement as Background Performers to non-members of ACTRA, the Producer shall – offer engagement to Members of ACTRA who are suitable for the engagement and who indicate that they are prepared to accept such engagement; Where full members of ACTRA are unavailable, the Producer shall first offer engagement to ACTRA Apprentice members who are suitable for the engagement and who indicate that they are prepared to accept such engagement, secondly, offer the engagement to suitable ACTRA Additional Background Performer members (AABP) who indicate that they are prepared to accept the engagement, and only then to non-members.

What’s the difference between Green and White Vouchers?

Green (ACTRA) vouchers are used for performers included in the daily ACTRA minimum reserved for ACTRA members. Performers on Green Voucher are paid the daily minimum (8hrs) under the IPA (C101). Those performers not included in the daily minimum are engaged on White, non-member, cash voucher and paid at the minimum hourly rate under the IPA (C101). ACTRA BG Vouchers Explained

Can I work on a White Voucher if I am an ACTRA member?

ACTRA members may only work on White (cash) voucher if the Preference of Engagement requirements have been met for the daily Green voucher count. AABP, Members and Apprentice Members may only work on white voucher when these conditions are met. You must confirm in advance when booking that you will be working on white voucher.

Why didn’t I get hired when I submitted for BG work?

While Production is required to follow Preference of Engagement, performers must also be ‘suitable’ for the position. Many factors, such as – age, diversity, availability, continuity – are factors in determining who is engaged. ACTRA monitors the daily list of performers engaged as BG to help ensure POE is being followed, however, if you believe your submission is being overlooked for some reason, please contact ACTRA Ottawa.

If I am booked as BG and rescheduled or cancelled, do I still get paid?

If an ACTRA member is rescheduled and given 48 hours or more notice, no payment is required. If you are rescheduled with less than 36 hours notice, you are entitled to 50% of your daily fee. If you receive 24 hours notice or less, you are entitled to 100% of your daily fee. If your booking is cancelled (not rescheduled) you are entitled to your full daily fee.

When working as BG does production have to provide meals?

No. Production is only required to provide meals under specific circumstances. They must provide you with meal breaks, however, meals are not necessarily provided. For full details on meal requirements, refer to Section 14 of the IPA. You should be informed when receiving your call time details if meals are provided. It’s always a good idea to bring your own lunch and snacks.

What do I do if Production is not following the ‘rules’?

If you have any questions or concerns about whether or not a Production is meeting its obligations under the IPA – bookings, conditions on set, payment etc., you can politely raise it with the appropriate member of the production team or contact ACTRA Ottawa.

Will working as BG negatively impact my career as Performer?

Many performers enjoy working solely as BG , while others work in BG and Actor, Principal and other categories on a regular basis. Some agents, however,  prefer that performers not take BG work as it may hinder their work opportunities in other performance categories. There  is no one right answer, but it’s a good idea to consult with your agent if you have one, as they  are your guide and advocate for your professional development. Reasons for doing BG work are also personal to each performer. Some find it’s a good way to experience and practice directions on set (e.g., camera ready, back to one, blocking, etc.,), while others enjoy the excitement of being on set and taking the opportunity to be a part of an exciting and enriching industry.